Book
Review: THE WIDOW WALTZ by Sally Koslow
Viking
Adult, June 13, 2013 ISBN:
978-0-67-002564-0 (hardcover)
Sally Koslow’s fourth novel is an
example of really great contemporary women’s fiction. The
Widow Waltz is entertaining, and it has depth. Koslow’s writing style is deceptively light,
and unerringly true, so that the story unfolds effortlessly. The
novel’s plot and themes—family, husbands and wives, widowhood, grief, mothers
and daughters, and starting one’s life over--are well-served by this prose
style. The settings—New York City as
lived by “the 1%,” and its country equivalent, the Hamptons—are rendered to
perfection. Most importantly, the
characters are all multi-dimensional. Then there’s the bonus of intrigue and
mystery.
Georgia Waltz (50) married Ben Silver
(53) when she was twenty-one. Ben was
very handsome, and very ambitious. He
became an attorney, and provided Georgia with a lavish Manhattan life style. They were very much in love, and have enjoyed
raising their two daughters. Georgia and
Ben adopted Nicola as an infant from Korea.
As soon as Nicolas arrived, Georgia discovered she was pregnant with
Louisa. While the sisters are only a
year apart in age, they are quite different in temperament and
personality. Nicola ("Cola") (24) is “the good
daughter,” elegant, responsible and dutiful.
However, she is somewhat directionless, and has shifted from job to
job. Louisa ("Luey') (23), although an excellent
student who attends Stanford University, has a mercurial nature, and acts
somewhat bratty and immature.
When Ben drops dead from a heart attack
after twenty-nine years of marriage, Georgia is devastated. She
grew up in a very wealthy, mainline Philadelphia family. Her father Martin, now deceased, was a
jeweler. Her brother Stephan, who is somewhat
distant and aloof with Georgia, also is a jeweler, with a suite on Fifth
Avenue. Their mother Camille suffers
from Alzheimer’s and is in an upscale New Jersey nursing home. Georgia’s best friend Daniel “Danny”
Russianoff runs an art gallery. He also
happens to be her brother Stephan’s life partner.
Besides dealing with her enormous grief,
Georgia learns that Ben has left her nearly penniless. While the news is devastating, and she wants
to find out how this could have possibly happened, Georgia has to deal with
reality immediately. She has to downsize, and sell whatever assets she
has. She also needs to truly connect
with her two daughters, Nicola and Luey. Ben’s death, and his financial betrayal, plus
other events and discoveries, force all three women to find inner strength, and
leave helplessness behind.
Since Koslow has written characters in
which the reader quickly becomes emotionally invested, and because the plot has
many twists and turns, I definitely would deem The Widow Waltz a page-turner.
However, I savored this novel because I didn’t want to leave this smart,
wonderfully executed novel too soon. I recommend reading
this wholeheartedly. And I hope that someone is clever enough to buy
film rights because this would make a terrific movie with great roles for women
to play.
Ditto on the film.
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